MUMBAI: Consumers are increasingly taking control of their entertainment experience, multitasking while watching television, integrating second screen devices into their viewing experience, and viewing more Internet-based content, according to an online survey conducted by Accenture.

The survey was conducted in February and March, 2013, with 3501 consumers in six countries: Brazil, France, Italy, Spain, the UK and the US.

The third annual multi-nation ?Video Over Internet Consumer Survey?, found that viewers are multitasking with their laptops, phones, tablets and even books and newspapers, in growing numbers while watching TV. Overall, 90 per cent of respondents indicated they watch some video content over the Internet.

Accenture?s Media and Entertainment industry group broadcast lead Francesco Venturini said, "Consumers can?t just watch TV anymore. The rise in multitasking while watching TV suggests that scheduled programming, also known as Linear TV, may be losing its appeal for sophisticated users, presenting both challenges and opportunities for broadcasters and content providers."

Television Viewers Multitasking in Greater Numbers: The survey revealed that multitasking has grown substantially in the past year across all devices. In fact, more than three-quarters (77 per cent) of all respondents reported regularly using their computer/laptop while watching TV, up 16 percentage points from last year.

While numbers rose across the board on all devices, the use of tablets rose the most significantly - to 44 percent from 11 per cent -- despite their lower ownership rates compared to PCs, TVs and phones. The frequency with which consumers watch video content on tablets also has increased significantly.

Although multitasking activities are mostly unrelated to the content on TV, the survey indicates that the use of tablets correlates more closely with what consumers are watching than the use of laptops and smartphones.

The survey also indicates that the tablet is showing early signs of becoming a complementary companion device for multi-tasking consumers with 14 per cent using tablets for searching content and social media activities related to the TV program they are watching. Only 17 per cent of those surveyed use a tablet for activities unrelated to the content being viewed on TV.

"As the tablet becomes a key companion to today?s viewers, monetizing this second screen experience must be explored," said Venturini. "This is an example of over-the-top applications and convergence presenting the industry with new challenges.

Sophisticated Consumer Habits: The growing sophistication of consumers is also reflected in the high percentage of respondents who watch video content over the Internet (more than 90 per cent); the greater frequency with which they view movies, TV programmes and Video on Demand over the Internet on a device; and the correlation between the type of content they are watching and the device they use to watch it.

The number of respondents who watch video content over the Internet at least once a week on a PC/laptop rose to 65 per cent in 2013 from 59 per cent last year, according to the survey. During that same period, the number of respondents watching video content on a mobile phone or smartphone rose to 31 per cent from 24 per cent and the number watching video content on a tablet increased to 22 per cent from 14 percent.

Consumers have evolved in their use of different devices to match the content they are viewing. The data shows that more people are watching full-length movies and TV series on their PCs/laptops this year than last (47 percent compared to 41 per cent); tablet viewing also grew to 33 per cent from 27 percent. And, more consumers are viewing short video clips on their smartphones (49 per cent compared to 44 per cent in 2012), according to the survey.

Overall, the survey found greater consumer sophistication in the way in which they use their devices to match video content to their PCs, phones, tablets and TVs. In response, and in alignment with key digital trends identified in the Accenture Technology Vision, broadcasters and content providers should look to create "digital relationships" with consumers to improve interactions, develop better insights into individual consumer preferences, and deliver a more customized consumer experience.

Evidence of Confusion: TVs connected directly to the Internet remain the ideal method for accessing online video on a TV. However, consumers? preference for using connected TV for online videos has slipped from 36 per cent in 2012 to 31 per cent this year. And, the percentage of consumers who are not sure or don?t have a preferred method for accessing online video on TV has risen from 23 to 28 per cent.

The data suggests that consumers remain confused about the available options for accessing online video. While only 16 percent indicated a preference for an online connection through a set-top box, nearly a third (30 percent) reported watching daily online content this way.

Venturini said, "We would have expected consumers to have a better understanding of their options by now considering the sizeable marketing push by the television electronics industry to promote connected TVs. A big gap still remains between the availability of video services, content discovery programs and consumers? ability to access these capabilities."

Broadcasters Striking Back: The survey indicates that local and national providers are making progress in their battle with global content providers, such as Netflix and YouTube, to deliver video services over the Internet. The number of consumers using local online video service providers and broadcasters rose from 37 percent in 2012 to 40 percent in 2013, while global providers dropped by a similar amount.

Moreover, the survey reveals growing trust for broadcasters among consumers. Asked who they would most trust to offer a video over the Internet service on their TV screen, more than half (53 percent) of consumers surveyed said they would trust their traditional TV broadcaster - up from 32 percent in 2012.

"Broadcasters have been investing heavily over the past 12 months to earn consumer trust in the online world and provide new services across multiple devices. They have accelerated the delivery of their own content online and fundamentally altered their strategies to fit the rapidly changing marketplace, and in some cases introduced sophisticated hybrid TV offerings. Consumer trust for broadcasters is an indication that these investments are starting to pay off," noted Venturini. The sample is representative of the national population in each country except Brazil where the sample is more representative of the urban populations.

MUMBAI: The International Academy of Television Arts and Sciences have announced the winners of the 40th International Emmy Awards at a Gala event held at the New York Hilton, hosted by Regis Philbin.

Winners span six countries: Argentina, Australia, Brazil, France, Germany and the UK. For the first time, both performance categories were won by an Actor and Actress from the same series, Television x La Inclusion (Argentina).

Jessica Lange presented the International Emmy Founders Award to Ryan Murphy, the creator, writer and director of television shows ?Glee?, ?American Horror Story? and ?Nip/Tuck?. After receiving his award, Murphy in turn, presented the two special 40th anniversary Founders Awards to global television legends Alan Alda ?M*A*S*H *? and Norman Lear ?All in The Family?.

The International Emmy Directorate Award was presented to KBS president, CEO Dr. Kim In-Kyu who is also Asia-Pacific Broadcasting Union president. The nine International Emmy Award Winning programs and performances are: Songs of War (Arts Programming), Dar?o Grandinetti (Best Performance by an Actor), Cristina Banegas (Best Performance by an Actress), The Invisible Woman (Comedy) , Terry Pratchett: Choosing to Die (Documentary), Braquo season 2 (Drama Series), The Amazing Race Australia (Non-Scripted Entertainment), The Illusionist (Telenovela), and Black Mirror (TV Movie/Mini-Series).

Academy president Bruce L. Paisner said, "The International Academy is proud to be shining the spotlight on the world?s best television programming and performances, for the last 40 years, and we congratulate tonight?s winners for their outstanding achievements as they enter into Emmy history".

MUMBAI: Television format creator and distributor Endemol is further building its scripted business in France.

Gaumont executive Jean-Beno?t Gillig is joining Endemol France along with his scripted production operation L?onis. As part of Endemol France?s scripted division Endemol Fiction, L?onis will produce series for prime time and daytime as well as feature length TV movies. Gillig?s role will also include the development of international co-productions for Endemol Group.

Projects currently underway at L?onis include ?La M?thode? Claire, a 90 minute drama for M6, starring Mich?le Laroque, which will be presented at La Rochelle Fiction Festival, and ?L?hiver du Pr?sident?, a political one off special for Canal+.

Gilig reports to Nicolas Coppermann who was appointed Endemol France MD in June and now also becomes Endemol Fiction MD.

Virginie Calmels continues as Endemol Fiction CEO in addition to her roles as Endemol France chairman and Endemol Group COO, which she took up in May this year.

Also incorporated within Endemol Fiction is production operation Les Films de la Prod, which has already produced successful scripted programming for the French market.

Nora Melhi, former Head of Endemol Fiction, is stepping down and departing from Endemol.

Calmels said, "I am thrilled to have such a high calibre of talent with us. I am in no doubt that with Nicolas, Jean-Beno?t and the brilliant team at Endemol Fiction, we will soon reach our target of having scripted represent 20% of our business in France."

This announcement follows a sustained period of expansion in scripted programming for Endemol, with revenue growth of over 81 per cent from 2008 to 2011 including 34 per cent year on year growth in 2011. Last year Endemol?s scripted business generated over 2000 hours of programming and revenues of ?328 million, representing 24 per cent of Group revenue.